While American film would stick closer to the script, Montage directors and theorists preferred, as one writer referred to, as a “collision of images” to achieve meaning. Without getting too far into the weeds, Montage’s theory brought a set of rules and structures to film. Soviet Montage Movement Film Characteristics
It also served to create a clear distinction between American and Russian filmmaking styles. Moreover, though, Montage created a cinematic language that helped overcome the illiteracy of the Soviets at the time, using images rather than words, in order to adequately communicate the precepts and the ideals of the Communist Party. “A Dialectic Approach to Film Form that to determine the nature of montage is to solve the specific problem of cinema.” While the most notable director in the Soviet Montage Movement was director Sergei Eisenstein, the chief architect of this movement was director Lev Kuleshov. This cinematic device originated during the Silent Film Era as part of a movement called the Soviet Montage Movement. This is what is referred to as a Montage, which is French for assembly or editing.
#Russian montage definition movie#
Everyone who has ever seen a movie has at some point in time, seen a section of films were a series of shots that indicate actions over a span of time, usually without dialogue.
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